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Issue 06 · Print view

DON'T RECKON WITH SNAKES

22 pages · 84 panels

Recap Splash · 1 panel

Page 1/ 22

Layout — Recap splash

[art pending]

Inside The Dom. Stage lights. A four-piece band — LOU, MOE, NICO, SUNNY (introduced for real this issue) — mid-song. Cigarette smoke. A crowd of mods, beats, college kids, painters. Jesse and Dev in the crowd, near the front, looking up at the stage. Jesse with his mouth slightly open. Dev's eyes locked on Sunny shaking a tambourine in the front row of the band, daisy on her denim jacket.

Page · 6 panels

Page 2/ 22

Layout — 5 panels

[art pending]

The band finishes a song — long ringing chord, drummer's roll, the crowd applauding. Lou — bored cool, sunglasses indoors, wry — leans into the mic.

  • LOUThanks. We're gonna take a short one. Open mic's up if anybody brought an instrument that isn't broken.

[art pending]

Jesse, very small in his chest:

  • JESSEDev.
  • DEVI see her.
  • JESSEThat's not what I —
  • DEVI know. I'm pretending. Don't make me admit it.

[art pending]

Lou, scanning the room. His eyes find Jesse's green guitar over Jesse's shoulder. He squints.

  • LOU(off-mic)Hey. New kid. Green guitar.
  • LOU(on-mic)You up?

[art pending]

Jesse, deer-in-headlights.

  • JESSE…I —
  • DEV(pushing him from behind)GO.
  • JESSEDev — I have no idea what these people want
  • DEVThey want the song you wrote in the garage. Go.

[art pending]

Jesse, propelled forward, stumbling out of the crowd and onto the small raised stage. Lou steps back from the mic, amused. Hands Jesse a worn 1960s tube amp's instrument cable.

  • LOUPlug in.
  • LOUWhat's your name.
  • JESSEJesse.
  • LOUJesse. What do you play.

[art pending]

Jesse, plugging the green guitar into the 1960s amp. The pickup covers begin to glow faintly green. The amp's tubes light up — also faintly green. Allred — small moment, no big deal. The room doesn't notice. We do.

  • JESSE(into the mic)I play, uh.
  • JESSEI play with my brother.
  • DEV(from the crowd, hollering)SCOUTER.
  • JESSE(into the mic)The band's called Scouter.
  • JESSEDev, get up here.

Page · 4 panels

Page 3/ 22

Layout — 4 panels

[art pending]

Dev pushes through the crowd and onto the stage. The Dom's drum kit is set up — a real 1960s kit, four-piece, well-loved. Dev sits behind it. He has not sat behind a real drum kit in his entire life. Allred — the moment a man who has been hitting industrial garbage for ten years sits behind real drums. Slow it. Let his hand find the snare. Let him not breathe.

  • No copy.

[art pending]

Close on Dev's hand on the snare. It is shaking, just a little.

  • DEV(whisper)Holy shit.

[art pending]

Jesse at the mic. The green guitar in his hands. The crowd waiting. Lou off to one side, leaning on a pillar, watching.

  • JESSEThis one's called "Don't Reckon With Snakes."
  • JESSEWe wrote it last winter.
  • JESSEIt's about my dad.

[art pending]

Jesse looks back at Dev. Dev counts off with a click of his sticks.

  • DEV(count, italic)one — two — three — four —

Splash · 1 panel

Page 4/ 22

Layout — Splash

[art pending]

Scouter, first show. A full-page splash of the band mid-song on the stage at The Dom. Jesse hammering the chord, head down, body angled into the riff. Dev behind a real kit, hitting it with the precision of a man who has been simulating this his whole life. The crowd — the 1966 East Village crowd — responding. Heads moving. Hips moving. A girl in the front row mouthing along to a melody she has never heard before. Lou against the pillar, sunglasses off, looking interested for the first time in the issue. The musical-staff motif in the margin: the staff is dense with a notated melody. The melody is fully scored. Real music is being played and the comic is showing you the notes. Allred — Romantic register at max. This is your band-on-stage panel. The reason we hired you.

  • SFXRRRAAAANNGGGGG(woven into the art, lettered as warm distortion)

Page · 4 panels

Page 5/ 22

Layout — 4 panels

[art pending]

End of the song. The crowd erupts. Not polite applause — erupt. A real-music crowd hearing a great song for the first time. Allred — show us six different faces in the crowd reacting differently. One girl is crying. One guy is laughing.

  • No copy.

[art pending]

Lou is suddenly at the side of the stage. Hand on the lip.

  • LOUWhere'd you learn to play like that.
  • JESSEGarage.
  • LOUWhere'd you learn that song.
  • JESSEWrote it.
  • LOU…Bullshit.
  • LOU(turning to his band)Moe. Nico. Sunny. Get over here.

[art pending]

The band — Moe, Nico, Sunny — converging on the stage. Sunny is looking at Dev. Dev is looking at Sunny. Allred — eye contact panel. Let it be a small thing and a big thing simultaneously. The daisy on her denim jacket.

  • No copy.

[art pending]

Sunny extending a hand to Dev across the kit.

  • SUNNYHi.
  • DEV…Hi.
  • SUNNYI'm Sunny.
  • DEVI'm Dev.
  • SUNNYYou play like you're inventing the kit.
  • DEVI — kind of am.

Page · 4 panels

Page 6/ 22

Layout — 4 panels

[art pending]

Lou and Jesse at the side of the stage. Lou holds out a hand — Jesse shakes it.

  • LOULou.
  • JESSEJesse.
  • LOUWhere are you boys from, Jesse.

[art pending]

Jesse, very carefully:

  • JESSEOut west.
  • LOUVegas?
  • JESSE…Yeah.
  • LOUI been to Vegas. I never heard a chord like that out of Vegas.
  • JESSEIt's a new chord.

[art pending]

Lou, half-smiling.

  • LOUIt's not a new chord. It's a minor 11 with a flat 9, voiced from the sixth. I've played that chord.
  • LOUI haven't played it like that.

[art pending]

Across the room — through the open front door of The Dom — the silhouette of the fedora-DeciBot enters. Backlit by the street. Allred — slow zoom-in over four panels starting now. Brutal register kicks in.

  • No copy.

Page · 5 panels

Page 7/ 22

Layout — 5 panels

[art pending]

The DeciBot in the doorway of The Dom. The bouncer — a big man with a shaved head — looks up. Sees the matte-white robot in a fedora. Pauses.

  • BOUNCER…I'm sorry, sir. You can't —

[art pending]

The DeciBot's optical band flickers once across the bouncer's face. The bouncer goes slack. His Beat Pad doesn't exist. The DeciBot doesn't have a Beat Pad to override. So instead, the DeciBot tilts its head and projects a thin sonic pulse from a port in its palm. The bouncer's knees buckle. He drops into the corner, asleep.

  • SFXvvvvvvvvvv(small, lettered like ultrasound)

[art pending]

The DeciBot, walking past the unconscious bouncer, into the bar. The fedora. The matte-white shell. Heads in the crowd turning.

  • A PATRON…What the hell is that.
  • ANOTHER PATRONIt's a performance.

[art pending]

Jesse, still onstage with Lou. He looks across the room. He sees the DeciBot. He goes very still.

  • JESSE(whisper)Dev.
  • DEV(off-panel)I see it.
  • LOUYou see what.

[art pending]

Close on the DeciBot's arm screen as it scans the room. The screen reads: TARGETS ACQUIRED. RANGE 11 METERS. RECOVERY PROTOCOL ENGAGED.

  • No copy.

Page · 4 panels

Page 8/ 22

Layout — 4 panels

[art pending]

Jesse, urgently, to Lou.

  • JESSELou. Listen. We have to go.
  • JESSEThat thing wants to kill us.
  • LOUThat thing is a robot in a hat.
  • JESSEIt's a robot in a hat that wants to kill us.
  • JESSEIs there a back door.

[art pending]

Lou looks across the room. Sees the DeciBot moving steadily toward the stage. Sees its hand opening at its side — the same sonic-pulse port it used on the bouncer extending an aperture.

  • LOU…Yes.
  • LOUThrough the kitchen.
  • LOUMOE. NICO. SUNNY. KITCHEN. NOW.

[art pending]

The band moves. Lou grabs Jesse. Sunny grabs Dev. They bolt off the back of the stage. Allred — Brutal register, motion lines, the band scrambling.

  • No copy.

[art pending]

The DeciBot — calmly, unhurried — vaults onto the stage. Its hand fires a sonic pulse — vvvvvvvvvv — into the now-empty stage. The mic stand detonates. The fronts of the amps blow outward.

  • SFXVVVVRRROOOOMMMMP

Page · 4 panels

Page 9/ 22

Layout — 4 panels

[art pending]

Back kitchen of The Dom. Pots and pans, a confused cook with a cigarette in his mouth, steam everywhere. Lou shoves Jesse through the throng. Sunny pulls Dev. Moe and Nico bringing up the rear.

  • LOUCOOKIE — BACK DOOR. NOW.
  • COOKIELou, what the —
  • LOUNow, Cookie.

[art pending]

Cookie throws open the alley door. The brothers and the band pour out into the back alley. The DeciBot's sonic pulse detonating something in the dining room behind them.

  • No copy.

[art pending]

The alley. Lou shoving everyone toward a parked van — a panel van with a faded peace symbol on the side. MOE'S VAN. Moe already at the driver's door, fishing for keys.

  • MOEGet in get in get in.
  • JESSEWAIT — my guitar —
  • DEVI got it.

[art pending]

Dev — astonishingly — has the green guitar slung across his back, the strap snagged in the chaos. He vaults into the van. Jesse after him. Lou, Nico, Sunny last. Moe peels out.

  • SFXVRRRROOOOOMMM

Page · 5 panels

Page 10/ 22

Layout — 5 panels

[art pending]

The van, careening through 1966 East Village streets. Honks. A pedestrian shaking a fist. Moe driving like a getaway driver. Lou in the passenger seat, calm.

  • LOUMoe.
  • MOELou.
  • LOUTake us to the Chelsea.
  • MOELou. The Chelsea is twelve blocks.
  • LOUI know how far the Chelsea is. Take us to the Chelsea.

[art pending]

In the back of the van. The brothers, Sunny, Nico. The green guitar across Jesse's knees. Jesse breathing hard.

  • NICO(German lilt, observational)That was a robot.
  • JESSEYeah.
  • NICOIt is 1966.
  • JESSEYeah.
  • NICO…Are you boys from the future.

[art pending]

Dev and Jesse exchange a look. Dev shrugs.

  • DEV…Yes.
  • NICO…I see.
  • NICO(after a beat)I always wondered when you would arrive.

[art pending]

Sunny, beside Dev. Quiet.

  • SUNNYIs your name really Dev.
  • DEVIt really is.
  • SUNNYThat's a good name from the future.
  • DEVThank you.

[art pending]

Jesse, looking out the back window. Far behind them — three blocks back — the fedora-DeciBot is walking down the middle of the street, unhurried, head turning side to side. Tracking.

  • JESSEMoe.
  • MOE(from front)Yeah.
  • JESSEHow fast does this thing go.
  • MOEFaster than that.

Page · 4 panels

Page 11/ 22

Layout — 4 panels

[art pending]

The van pulls up outside the Chelsea Hotel. 1966. The marquee. The wrought-iron balconies. The desk clerk visible through the front window, smoking. Moe parks half on the curb.

  • LOUOut. In. Now.

[art pending]

The band and the brothers hustle into the lobby. Lou strides to the desk like he owns the place. Pulls a wad of cash from his jacket.

  • LOUA room. Top floor. Back. Cash. No name. Now.
  • CLERK…Lou. You alright, kid.
  • LOUI'll explain Thursday, Mort. Now.

[art pending]

The clerk slides a key across the counter. Lou tosses cash. The group bolts for the stairs.

  • No copy.

[art pending]

The hallway, top floor. The group at a door. Lou keys it open. They pile inside.

  • No copy.

Page · 5 panels

Page 12/ 22

Layout — 5 panels

[art pending]

The room. A faded velvet armchair. A bed with a chenille cover. A window onto the rooftops of Chelsea. The radio on the dresser playing softly. Everyone breathing hard. Lou closes the door. Locks it. Slides a chair under the knob. Leans against it.

  • LOUOkay.
  • LOUBoys.
  • LOUExplain.

[art pending]

Jesse, sinking onto the bed, green guitar across his lap.

  • JESSEI don't know where to start.
  • NICOStart with the year you're from.
  • JESSE2260.
  • LOUFuck off.
  • DEVHe's not fucking off.

[art pending]

Jesse, holding up the green guitar.

  • JESSEThis guitar is a time machine.
  • JESSEIt was built in 2026 and buried in our garage. My father hid it under the floor.
  • JESSEThere's a corporation called DeciCorp in our time that owns the music industry.
  • JESSEThey have stopped making instruments. The cities are quiet. Everyone wears a wristband that plays AI-generated music. Nobody hears each other.
  • JESSEMy father was a member of a resistance cell called the Wave. They wanted to bring real music back.
  • JESSEHe died trying.

[art pending]

Long beat. The band processing.

  • SUNNY(quiet)Oh.
  • LOU…That's a tough one to bullshit, kid.
  • LOUEither you're the best liar I've met or you really do come from a future where my band doesn't exist anymore.

[art pending]

Jesse, looking up at him.

  • JESSEYour band exists.
  • JESSEThere are tapes of it that survive into my century.
  • JESSEI have heard your song "Heroin" forty-seven times.
  • LOU
  • LOUHow is it.
  • JESSEIt's a really good song, Lou.
  • LOU…Cool. Cool. Cool.
  • LOU(to Moe)Moe. We're keeping that one.

Page · 4 panels

Page 13/ 22

Layout — 4 panels

[art pending]

Nico, sitting on the windowsill. Looking out at the rooftops. Calm.

  • NICOThe robot in the hat will find us.
  • JESSEYeah.
  • NICOHow.
  • JESSEIt tracks the chord that opens the door. If we play the green guitar again it will know exactly where we are within seconds.
  • JESSEWe can't go home without playing it.
  • LOU…So you're stuck.
  • JESSEWe're stuck.

[art pending]

Dev, who has been quiet, looking at his hands.

  • DEVThere's another problem.
  • DEVThe USB — the modulator that steers the jump — only works if it's plugged into a destination amp that can read it.
  • DEVI left the Amp-Sim Box in 2260.
  • DEVThis is a tube amp world. There is no machine in 1966 that can read a USB stick.
  • DEVEven if we play the chord — without an Amp-Sim that can read the USB —

[art pending]

Jesse, finishing for him.

  • JESSEWe won't land where we're trying to land.
  • JESSEWe'll just land somewhere.
  • JESSEMaybe somewhere worse.
  • JESSEMaybe in the middle of the ocean.
  • JESSEMaybe inside a wall.

[art pending]

Long silence. The band sits with it. Lou pulls a cigarette out of his jacket and lights it.

  • LOU…Boys.
  • LOUThis is a band problem.
  • LOUIt just so happens we are a band with a basement full of broken radios.
  • LOUWe will help you build the thing.

Page · 4 panels

Page 14/ 22

Layout — 4 panels

[art pending]

Dev looks up. Hope, for the first time in the issue.

  • DEVYou have a basement of broken radios.
  • LOUWe have a basement of broken everything.
  • LOUTube amps. Tape recorders. A transistor television I found on the curb on Avenue B last week.
  • LOUIf your USB needs a machine that can read it — Dev — you have a workshop.

[art pending]

Moe, standing in the corner, sticks in his belt. He looks at Dev for a long beat. He extends one stick across the room. Dev takes it.

  • MOEYou ever play a real kit before tonight.
  • DEVNo.
  • MOEYou play like you have.
  • DEVI built my own.
  • MOE…Out of what.
  • DEVIndustrial parts.
  • MOE
  • MOEStay through the weekend.
  • MOEI'll teach you everything I know.

[art pending]

Sunny, leaning forward, looking at Jesse.

  • SUNNYAnd you.
  • SUNNYLou and I will teach you how to hear the chord differently.
  • SUNNYWe will show you blues. We will show you rock and roll. We will show you why your one chord opens a door.

[art pending]

Lou, leaning against the wall, taking a drag.

  • LOUBut first you tell us what year you are trying to get to.
  • JESSE2220.
  • LOUWhy 2220.
  • JESSEThat's where my father is.
  • LOU
  • LOUOkay, Jesse. We will get you to 2220.

Page · 4 panels

Page 15/ 22

Layout — 4 panels

[art pending]

The room. The plan settling. Dev going to the radio on the dresser and beginning to take it apart with a coin from his pocket as a screwdriver.

  • No copy.

[art pending]

Sunny crossing to Dev. Sitting on the bed beside him. Watching him work. Her hand finding his sleeve, lightly. Allred — small. Important. The hippie girl and the futurist.

  • No copy.

[art pending]

Lou and Jesse at the window. Jesse looking out at the rooftops.

  • LOUThat robot is going to find this hotel by morning.
  • JESSEI know.
  • LOUWe move at first light. The basement is in Brooklyn.
  • JESSEOkay.

[art pending]

Nico, calmly, from the windowsill.

  • NICOHe is already in the lobby.
  • LOU…Wait, what.
  • NICOI can see him from here. He is talking to the clerk.

Page · 5 panels

Page 16/ 22

Layout — 5 panels

[art pending]

View from the window — down twelve floors to the street. The fedora-DeciBot at the front desk of the Chelsea. The clerk, Mort, behind the desk, looking up at it with the polite blank of a man who has seen everything. Allred — high angle.

  • No copy.

[art pending]

Lou, calm but moving fast.

  • LOUMort won't tell him.
  • LOUMort would not tell Eisenhower I was here.
  • LOUBut that thing's going up the stairs no matter what Mort says.
  • LOUFire escape. Now.

[art pending]

The group, bolting out the window onto the fire escape. The green guitar over Jesse's shoulder. Sunny pulling Dev. Moe last, locking the window behind them.

  • No copy.

[art pending]

Down the fire escape. Allred — vertical panel, multiple levels, lots of motion. The group descending in single file, hitting the alley below.

  • No copy.

[art pending]

Alley level. Moe leading them toward the van still parked half on the curb at the end of the block. The DeciBot has not yet emerged from the hotel. Yet.

  • No copy.

Page · 4 panels

Page 17/ 22

Layout — 4 panels

[art pending]

The van peels out of Chelsea heading south. Moe driving, Lou shotgun, the brothers and Sunny and Nico in the back.

  • No copy.

[art pending]

Behind them — the DeciBot exits the Chelsea lobby, looks up at the disappearing van's taillights, calmly reaches into its leather folio, produces a small device, and presses a button. A blue-green tracer signal lights up its arm screen. The DeciBot is tracking them by something other than the chord. DECIBOT'S ARM SCREEN: HARMONIC TRAIL: DETECTED. ACTIVE. SOURCE: GUITAR PICKUPS — RESIDUAL EMISSION. RANGE: 1.4 KM. CLOSING.

[art pending]

In the van. Dev looking back through the rear window. Sees the DeciBot far behind, walking calmly, not running.

  • DEVHe's not chasing us.
  • JESSEThat's worse.
  • DEVHe's walking.
  • JESSEThat's worse than running.

[art pending]

Jesse, looking at the green guitar in his lap. He puts his hand on the pickup cover. The cover is faintly warm. Faintly glowing.

  • JESSE…Dev.
  • DEVYeah.
  • JESSEThe pickups are bleeding.
  • JESSEThey're throwing a signal even when we're not playing.
  • DEVHe's tracking the guitar.
  • JESSEHe doesn't need us to play.
  • JESSEHe just needs us to exist with it.

Page · 4 panels

Page 18/ 22

Layout — 4 panels

[art pending]

Moe in the front:

  • MOEHow do we kill the signal.
  • DEVLead box.
  • MOEI got a lead apron in the basement. Dental supply guy was selling stolen.
  • DEV(smiling despite himself)I love this decade.

[art pending]

The van crossing the Manhattan Bridge. Brooklyn ahead. Dawn beginning to show — pink at the horizon over the warehouses. Allred — beautiful establishing of period Brooklyn.

  • No copy.

[art pending]

Lou, half-turning from the front seat to look at Jesse.

  • LOUJesse.
  • LOUOne question.
  • LOUWhat happens to my band if I help you.

[art pending]

Long beat. Jesse, very honest.

  • JESSELou.
  • JESSEIn my time, your band has been gone for nearly three hundred years.
  • JESSEEvery song you ever record survives.
  • JESSEPeople play your songs in dead zones because it's the only safe music left.
  • JESSEPeople paint your face on walls.
  • JESSEYou don't know any of that. You're just trying to make it through next Tuesday.
  • JESSEIf you help us — your band still happens.
  • JESSEAnd maybe a band three centuries from now also gets to happen.

Page · 3 panels

Page 19/ 22

Layout — 3 panels — widescreens

[art pending]

Lou, looking at Jesse. He has not put the cigarette to his mouth since the question. Now he does. Takes a long drag.

  • LOU…Okay, Jesse.
  • LOUOkay.

[art pending]

Nico, calmly, beside Jesse:

  • NICOI would have helped you for free.
  • NICOBut that was nice to hear.

[art pending]

The van crossing into Brooklyn. The 1966 industrial waterfront. The sun rising. The brothers and the band heading to the basement that will, in the next issue, become their workshop and their school.

  • No copy.

Page · 4 panels

Page 20/ 22

Layout — 4 panels

[art pending]

A warehouse on the Brooklyn waterfront. Loading dock, brick, broken windows. Moe pulls the van around back. Stops at a battered freight door.

  • MOEWelcome to the rehearsal space.

[art pending]

The group climbing out. Sunny stretching. Nico immediately lighting a cigarette. Lou unlocking the freight door with a key off his belt.

  • No copy.

[art pending]

Inside — the band's basement. A converted warehouse interior. Real drum kits, multiple. Tube amps stacked five high. Speaker cabinets the size of refrigerators. Workbenches with soldering irons. Broken radios. Half-disassembled tape decks. A wall of vinyl records. An old Coca-Cola cooler. Christmas lights strung across the rafters. Allred — paradise. Pull the Romantic register hard.

  • DEV(eyes wide)…Lou.
  • LOUWelcome to the lab, kid.

[art pending]

Dev walking through the space slowly, hand brushing across a wall of tube amps. His face is the face of a kid in a candy store who has just been told he can have it.

  • DEV(very quiet)I am going to build something beautiful in here.

Page · 4 panels

Page 21/ 22

Layout — 4 panels

[art pending]

The brothers in the middle of the workshop. Jesse setting the green guitar carefully against a wall. Dev pulling the USB out of his pocket and holding it up to the light.

  • JESSEHow long, Dev.
  • DEVTo build something that can read this?
  • DEVA week. Maybe two.
  • JESSEWe have a week.
  • DEVWe have whatever the robot in the hat gives us.

[art pending]

Lou crossing to the wall of vinyl records. He pulls one out — a 1950s blues record, Howlin' Wolf, Muddy Waters era. He drops it onto a turntable.

  • LOUJesse.
  • LOUCome here.
  • LOUI'm going to teach you what your chord means.

[art pending]

Sunny sitting on the edge of a drum riser. Tambourine across her knee. Looking up at Dev.

  • SUNNYDev.
  • SUNNYCome here.
  • SUNNYMoe and I are going to teach you what real time feels like.

[art pending]

Allred — composition. A two-shot. Lou and Jesse at the turntable. Sunny and Dev at the kit. The brothers being claimed by two different teachers in two different corners of the workshop. The green guitar leaning against the wall. The USB on the bench. The DeciBot, somewhere out there, still walking.

  • No copy.

Splash · 1 panel

Page 22/ 22

Layout — Splash — final page

[art pending]

The exterior of the Brooklyn warehouse. The freight door closed. Dawn light on the bricks. A pigeon on the roof. The Manhattan skyline across the river. Quiet. Beautiful. The wave-symbol stencil, again — this time in pink chalk on the freight door. Whoever the Wave were in 1966, they were here. They have always been here. In the deep distance — many blocks away, just a smudge on the horizon — the fedora-DeciBot walks. Calm. Unhurried.

Issue 6 — All pages · Time Traveler — Scouter